One of Pieta’s all time favorite singers, Iris Dement, has been singing Pieta’s song “Faller” (from One and All) in her live shows. Pieta’s song I Don’t Mind (from Mercury) was also recently translated and released (as Het Deert Me Niet) by Belgian pop songtress Eva De Roovere. Pieta’s father, Greg Brown, recorded one of her songs, Remember The Sun, on his album Freak Flag (2011), and invited her to sing and play banjo on his latest release, Hymns For What Is Left (2012). She has made guest appearances on Mason Jennings‘ album, Always Been, two of Calexico‘s recent albums ( Algiers and Carried To Dust), including singing on the song “Fortune Teller” (which Pieta penned with Joey Burns),as well as appearing on Amos Lee‘s album, Mission Bell (2012). Since releasing One and All(2010) and Mercury(2011), Pieta has toured North America with Mark Knopfler, and toured various regions of the U.S., Australia and Canada with John Prine, Amos Lee, Brandi Carlisle, JJ Cale, Ani Difranco, Mavis Staples, and Calexico among others. In just the last 4 years Pieta has released two critically acclaimed albums, with much attention being paid not only to her distinct sound and style, but also the power of her singing and songwriting. And ever since, I’ve been hooked on that magic feeling.”Ĭontinually revealing new layers as both a songwriter and performer, Pieta is being recognized as one of modern Americana’s true gems. Right away, during that first recording session, as we were playing live and recording to tape as it went down, I experienced the magic of hooking all the way in with the song in the moment…playing the songs, with those players, playing those instruments, in that room, at that time. Still, I was feverishly driven to deliver these songs in my heart.
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“I was so shy about singing my songs then, and barely understood how to sing into a microphone, in spite of all the live music I had grown up around. “My first experience in the studio really steered me down a certain road,” Pieta says. Her first album (self-titled), recorded and released independently in 2002, was recorded live in 3 days to 2-inch tape. Making her first recording with (now) frequent collaborator, guitar-ace and Grammy-Award winning Indie/Roots/Americana Producer, Bo Ramsey, started Pieta down the path of making recordings based around live performances. “I grew up around a lot of musicians and artists living on the fringe, and have always felt most at home among them,” Pieta says. Emerging from a disjointed and distinctly ‘bohemian’ upbringing, Pieta began performing live and making independent recordings soon after teaching herself how to play guitar. In her early 20’s, after experiencing what she describes as “the songs calling”, Pieta started experimenting with the banjo and eventually picked up a 1930’s Maybell arch-top guitar during a visit to her father’s place and never looked back. By the time she left home at 18 she had lived in at least 19 different houses and apartments between Iowa and Alabama. Later, while living with her mother in Birmingham, Alabama during her formative years, Pieta drew on and expanded these influences and began writing poems and composing instrumental songs on piano. There, she was exposed to traditional and rural folk music through her father, Greg Brown, the now beloved Midwestern folk singer. The daughter of two preacher’s kids, Pieta Brown’s early upbringing in Iowa was in a rural outpost with no furnace, running water, or TV.
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